First produced by the Egyptians over 6,000 years ago, blue pigment has been a prized component in some of the greatest works of art in world culture and Asia ranks high among them. A distinguished panel of specialists and curators in Asian art will present perspectives on the development and impact of cobalt blue, indigo and dayflower in their specific fields of Chinese and Japanese art.
Says Dessa Goddard, Chairman of Asia Week New and discussion moderator: “Asia Week New York is delighted to host this lively presentation with some of the world’s top authorities on the history, composition, use and aesthetic appeal of the color blue in Asian art.”
Monika Bincsik is Diane and Arthur Abbey Associate Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, New York. She has organized several exhibitions for the museum, notably Discovering Japanese Art: American Collectors and The Met (2015), Japanese Bamboo Art: The Abbey Collection (2017), and Kyoto: Capital of Artistic Imagination (2019). She has published numerous articles on Japanese decorative arts and collecting history and was co-author and co-curator of The Tale of Genji: A Japanese Classic Illuminated (2019).
Steven Chait is the President of Ralph M. Chair Chait Galleries, Inc. in New York City. The gallery, founded by their namesake and Steven’s grandfather, Ralph M. Chait in 1910, is the oldest specialist dealing in fine antique Chinese porcelains and works of art in the United States. Over its remarkable long history, the gallery has worked with and sold to museums and private collectors throughout the world.
Joe V. Earle was Vice-President and Director of Japan Society Gallery in New York from 2007 to 2012 and has held leadership positions in Asian art departments at the Victoria and Albert Museum, London, and the Museum of Fine Arts, Boston. Now based in London, he works as Senior Consultant for Bonhams in the U.S. and UK and advises collectors and dealers on three continents. He has a