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Topic
Film in television archives. What is to be done?
Description
There is a 50 year history of film in TV archives. Before videotape, film was the storage method for TV. Newsgathering used film until the early 1980's. High quality dramas were produced on film right into the 1990s. Up to 30% of TV archive content from the 20th century is on film.
Film is special: the technology to play it isn’t obsolete, it can last many decades if properly stored. So while videotape has had to be converted to files, large amounts of film remain on shelves. Some film has been converted to videotape, often with a loss of quality, as an ‘access copy’. Much of the rest remains without access: can’t be used in production, can’t be viewed online. Its public value and its commercial value remain locked away.
What should be done with this film? What has already been done? What is the cost and quality of various ways to release the value of these film holdings? This seminar will present actual case studies and practical guidance.
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Time
Jun 21, 2022 03:30 PM in
Madrid
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Hi there, You are invited to a Zoom webinar. When: Jun 21, 2022 15:30 Madrid Topic: Film in television archives. What is to be done? Register in advance for this webinar: https://us06web.zoom.us/webinar/register/WN_YWenpI9iRFGa-DRFS3rtyQ After registering, you will receive a confirmation email containing information about joining the webinar. ---------- Webinar Speakers Richard Wright (Independent Consultant @Preservation Guide (United Kingdom)) Richard Wright worked for BBC from 1997 to 2011 on archive technology and preservation. He has been working in standardisation activities and in European funded research and innovation projects, among with the whole Presto series on audivisual digitisation and digital preservation. Member of the FIAT/IFTA Preservation and Migration Commission. Jörg Houpert (Head of Technology @Cube-Tec (Germany)) Jörg Houpert has focused on the research and development to improve audio and audiovisual archiving for 25 years. He is also actively involved in standardisation activities for cinematographic film and video assets. Member of the FIAT/IFTA Preservation and Migration Commission. Kathleen Bertrem (Responsible for communication & external collaborations at VRT Archive @VRT (Belgium)) Kathleen Bertrem works at the archives department of VRT, the public broadcaster of the Flemish Community in Belgium. She collaborated on the mapping and digitisation of the film collection. Christoph Bauer (Archive system administrator @ORF (Austria)) Christoph Bauer joined ORF in 1981, he acted as project officer for ORF within several EU funded projects. He is senior specialist for preservation, digitisation, and restoration in the ORF archive and workflow developer and AI-minining specialist. Member of the FIAT/IFTA Preservation and Migration Commission. Miroslav Čuljat (Programme Manager @RTÉ (Ireland)) Miroslav Čuljat is the Programme Manager responsible for all projects at RTÉ Archives. In his 26-year career in Media and Broadcast industry, Miroslav has been leading solution design and service delivery in some of the most demanding and high profile broadcast environments. Member of the FIAT/IFTA Preservation and Migration Commission. Peter Schallauer (R&D and product coordinator @Joanneum Research (Austria)) Peter Schallauer has been working with JOANNEUM since 1995. In recent years, he has focused his activities on video and movie quality assessment solutions for archive digitisation and production processes. He is R&D and product coordinator for audiovisual preservation in the area Smart Media Solutions. Member of the FIAT/IFTA Preservation and Migration Commission. Charles Fairall (Videotape & Engineering Advisor @British Film Institute) Charles Fairall has served the BFI National Archive for 35 years as a technologist and as Head of Conservation pioneered innovative techniques to conserve, preserve and make accessible the extensive moving image collections of the BFI’s Film & Television Archive. Member of the FIAT/IFTA Preservation and Migration Commission. Carol Sabbadini Durán (Adviser in charge of the collection management @Señal Memoria-RTVC (Colombia)) Carol Sabbadini is a restorer and conservator of the artistic and cultural heritage, and an artist. She has an MA in History of Art and Visual Arts from the Bologna University (Italy), and is specialized in management of audio-visual heritage. She got a master’s degree in Language of Contemporary Image at Fondazione Fotografia Modena ( Italy). From 2016 to 2020, she was advisor on the use plan and the management model of the New Cinematheque of Bogotá and since its inauguration coordinator of the Creation and Experimentation area.
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