Please introduce yourself!

Hi, I’m Kristin Robinson from Bethel, CT.

Cara DeSimone, archeology archives. Tallahassee (Appalachee), FL

Hi! Samantha Hall-Saladino, Executive Director at the Fulton County Historical Society in Gloversville, NY - located on Mohawk land.

Hi, I'm Claire and I'm a grad student at Northeastern University in Boston, MA!

Hello! Krystal Tanner from Halifax, Nova Scotia.

Hi, I'm Angeliki from the Canadian Museum for Human Rights in Winnipeg, Canada.

Siyo! Callie Chunestudy, Cherokee Nation, Tahlequah, OK

Hello every one from Hamburg, Germany. Chris Zisis, based in Hamburg University/UAS Kiel, and the initiative ''Decolonise Hellas''.

Hi, I'm Pei Koay, NMAI-DC but calling in from Baltimore.

Hello, Matthew Komus from the Canadian Museum of Human Rights in Winnipeg, Canada.

Dr. Michelle Tovar, Director of Public Engagement at Holocaust Museum Houston

Please feel free to put questions and thoughts here in the chat.

I think this concept is beautiful and powerful, and a great way to reclaim space. How do you think art and space work together in terms of cultural preservation/persistence?

I failed to mention that Tulsa has a very diverse Native population with peoples from Native Nations whose homelands are located throughout the US and Indigenous peoples from across the globe.

whooo archives!

Kudos to all four artists! The thoughtful approach and meaningful artwork is much appreciated.

for Alex - what is the statue or monument with the cloud? [I believe piece #1]

Inspiring work. Thank you really for all inputs.I have learned -un/learned a lot from your network (theory, methods, case -studies)I would like to ask if you faced frictions during that 'community project', if yes, what type of frictions (problems, challenges, limitations) and/or conflict working with this/these particular 'communities of practice'. Which strategies were then, implemented?I hope it does not sound too theoretical or 'European difficult heritage/memory question' -)

I’m curious about the experience of the artists and, for that matter, all of the core participants. Specifically, to what degree is the resultant work an embodiment of things already known, and to what degree is it a revelation of things discovered in the process itself?

thanks!

thank you, and wow, amazing questions (s)

Please take our quick survey on this webinar:https://docs.google.com/forms/d/e/1FAIpQLSdCAz3HQw3OKTWkUxQNT3a7YAacwQxnw3BNZP93w0nvXW80zg/viewform

And as always, feel free to be in touch with questions: lnorris@sitesofconscience.org

elisaharkins.org

weomepedesigns.com

Please feel free to contact me with any questions: alexponca@gmail.com

junecamille@gmail.com

Brenda Pipestem: toineeta@

toineeta@gmail.com

Thanks so much for sharing all of this information!

thank you!

Thank you!

Thanks so much!